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Star Trek Meets the Vorlons

by RonChusid

Since his success with Babylon 5, along with the failures of Star Trek in later years, there has been interest in J. Michael Straczynski’s proposals for revamping Star Trek. In 2004 Straczynski and Bryce Zabel came up with a proposal to remake Star Trek which Zabel has posted on his blog.

The idea, written before Ron Moore’s recreation of Battlestar Gallatica, is basically the same concept. Rather than having another sequel, or prequel, they would go back and recreate the original five year mission of the U.S.S. Enterprise with Kirk, Spock, and McCoy played by new actors. They would modernize the show and not be constrained by all the details of the Star Trek universe established in previous shows (leaving the question of whether Star Trek fans can live without debates over canon). A remake would also get around complaints that an idea has been done before, as updating and repeating an old story would be expected in such a format.

It would be interesting to see how Strasczynski and Zabel would create the original show, but reading their proposal I had the feeling that JMS was stuck on Babylon 5. They envision the show having an underlying reason for the original five year mission in order to find information on an ancient race considered dead, but which remains alive to influence the fate of mankind. It sounds like we’d have the Vorlons moving from Babylon 5 to the Star Trek universe.

They compare this theme to the mythology episodes of The X-Files. Shows which tried to stretch out such a mystery over many seasons, including X-Files and Babylon 5, inevitably wind up disappointment many fans as such stories rarely turn out strong enough to justify the multi-year commitment. JMS and Zabel criticize the holodecks of Star Trek: The Next Generation arguing that “If you need a holo-deck to make an interstellar starship on the bleeding edge of the unknown interesting, something is seriously amiss.” Similarly they should not need a single mythology of such an ancient race to propel the show. Perhaps this could be incorporated into some episodes, but the series could be far stronger with a number of continuing story lines being developed to interest the viewers.

Another problem with the neo-Vorlon concept is that they envision changing the “Prime Directive” to be not about non-interference in the development of other civilizations but to be to do “whatever is necessary to find this long-lost race, and discover the truth about the common origin of all life forms everywhere, the truth that will unite a galaxy.” Certainly an interesting goal, but it lacks the vision of Gene Roddenberry’s original idea. Roddenberry’s original philosophy worked because it wasn’t just a science fiction idea about a fictional ancient race, but about principles which applied to our contemporary world.

Straczynski and Zabel make valid points about new ideas for Star Trek being limited by established cannon, but I would hate to see Jon Luc Picard and other aspects of the Star Trek universe be totally thrown out. The problems cited can also be avoided in a manner similar to what was done with Star Trek: The Next Generation. I’d like to see another starship based sequel set a century beyond the last shows. Technology, and even human attitudes, can be updated. New enemies, and allies, can be created with humans venturing further out into the galaxy. As long as the underlying history is adhered to, it wouldn’t necessarily be important to recall all the specific details of old episodes (unless a writer specifically wants to continue a story line started in the past). If a character speaks in error about something which happened a hundred years earlier, there would be a simple explanation of a character being mistaken about history as opposed to being a violation of series continuity.

Regardless of the specifics of this idea, the proposal was fascinating to read and I am happy Zabel chose to post this on line.

7 Responses to “Star Trek Meets the Vorlons”

  1. Well I’m a trekkie at heart.I will watch if it comes on.

  2. Sure I’d watch it. I even sat through Voyager and Enterprise.

    I think the fact that they are putting it on line, along with J.J. Abrams being chosen to do the next movie, indicates they don’t see this proposal going anywhere.

  3. The concept of an alien race with a mysterious past that is looked on in wonder or is sought out for answers is a great McGuffin. It’s driven most of the Sci-Fi series in one form or another, from X-Files to Stargate, and one can easily imagine Battlestar Gallactica that way, with the Cylons having the mysterious history that the no former citizen of Caprica understands (with the BSG ep about the toasters on Caprica being the most talked about of this past season). So I get your point about how this “mysterious alien race” is basically a “Neo-Vorlons” concept, essentially a retread from the Babylon-5 universe: “Please, we’ll make the Vorlons interesting this time, we promise!”

    Seinfeld was a show about nothing. So was Friends. Will and Grace, too.

    But Sci-Fi shows usually have to be about something — they have to reach out and give us more about ourselves. The Star Trek: Voyager was awful about that. Deep Space Nine again didn’t say much about humans, but it did say quite a lot about Ferrengi — so much about Ferrengi that some were willing to project human ethnicities/culture onto those alien species’ culture.

    I’ll be the first to suggest that Star Trek needs a reboot, but I’m not so thrilled that JJAbrams gets the first shot at doing it with a movie.

    However, it’s money, and that’s what the franchise is ultimately supposed to generate.

  4. Walt,

    “But Sci-Fi shows usually have to be about something — they have to reach out and give us more about ourselves.”

    Perhaps that’s why I’m turned off to the idea. Roddenberry used Star Trek to say things about us which couldn’t be said on network TV in the 60′s. I want the focus of Star Trek to remain on human society–not some ancient alien race.

  5. Producers and writers love to ignore canon, but it usually results in some ridiculous stories. Terrible example: Take a look at the Superman movies, or worse yet, the Supergirl movie. Gag, choke! Ignoring canon is such a big copout for the writers. I believe one of the many reasons that ST Enterprise failed was in how it ignored or tried to expand too far beyond the original Star Trek series. After all, it was a prequel, right? Kirk and Spock didn’t have any greedy Ferengi around acting like Ken Ley or Abramovich, so why did Berman have to have them on Enterprise? It didn’t ring true, and viewers fled.

  6. Viktor,

    Enterprise had many problems. Making a prequel magnified the questions of canon. Besides conficting with what was actually shown on other series, the show conflicted with the way in which many Star Trek fans envisioned events of the era. A show taking place after STTNG and Voyager would have much less probems with canon as long as they made an honest attempt to stick with established history.

    Despite these problems, I don’t think this is the main reason why Enterprise failed. The main problem simply was that the show was boring. It had characters which I never got very interested in and dull stories.